Julian Clay Shelton, Photographer


My love of photography started early in childhood. This passion was born in the pages of the National Geographic magazines I would collect as a child. Even before I was old enough to read and understand the words, I found myself frequently moved to tears by the photographs. As a young child, I always had a camera around my neck. I knew, from a very young age, that I wanted to be a photographer.


My path to becoming a photographer, however, was meandering and indirect. After studying political science at university, I was recruited into the military as an intelligence officer, where I specialized in narcoterrorism and counter-insurgency. This experience shaped and heavily influenced my views on foreign policy, the war on drugs, and the influence of capital interests in geopolitics. All of which heavily inform my art and the lens through which I view the world.


Now, as a disabled veteran and practicing photographic artist, my primary interest is to use the medium of photography to explore the sociocultural issues and questions that are important to me. When I practice photography, my goal is to tell a story or personally explore an issue.


It is for this reason that I call photography a medium of concentrated empathy; to adequately tell the story of another, I must connect and empathize with them. It’s a process that I find immensely healing and regenerative to the psyche and soul. It's my way of doing what I can to make the world a better, more connected place, one frame at a time.


About My style and artistic Interests


I began my photography journey decades ago. I draw my inspiration from the documentary and reportage photographers of old. I developed my style around the classic slide films of old, namely Fuji Velvia and Kodak Tri-X. Punchy and intensely saturated color photographs with rich magenta tones. Timeless black and white photographs with salt-and-pepper tones and fine-yet-pronounced grain structures.


My photographic interests and the themes I explore through my photographic art include culture, masculinity, gender roles, Frenchness, agriculture, economic violence, mental health, and identity.


Art is inherently political, and my background as a political scientist and intelligence officer have made me hyper critical of the role of capitalism and capital interests in geopolitics. It is my intention to turn that same hyper-critical lens towards society at large.